Until a decade and a half ago, we had no national museum of modern art at all. Indeed, the stuff was not regarded as being of much interest to the British; now Tate Modern is about to expand vastly and bills itself as the most popular such institution in the world. The opening of the new, enlarged version on 17 June — with apparently 60 per cent more room for display — will be one of the art world events of the year. But, like all jumbo galleries, it will face the question: what on earth to put in all that space?
Essentially, there are two answers to that conundrum. Give the public what they want, or — alternatively — what you think they ought to see. Cynics might suggest that Undressed: A Brief History of Underwear at the V&A (16 April–12 March 2017) falls into the former category. And it looks very much as if the Royal Academy has also gone for the first option with Painting the Modern Garden: Monet to Matisse (30 January–20 April).
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in