Ludwig van Beethoven isn’t just my favourite composer: he’s my household god. There’s a bust of him on my mantelpiece. It took ages to find something that did him justice. This one was made in Italy about 100 years ago; it’s painted to look like black marble, his features are modelled on his life mask and it gets his hair right. (This mattered to Beethoven: when August von Kloeber painted him in 1818, the composer ‘expressed delight at the treatment of his hair’.) Above my stereo system there’s a Victorian copy of another portrait of Beethoven; it’s striking but undistinguished. As for the statuette in my bathroom, I should really throw it out, but consigning an image of Beethoven to a black rubbish sack seems like sacrilege — especially in the year that is the 250th anniversary of his birth, which the German government has ponderously declared to be ‘a matter of national importance’.
Damian Thompson
Beethoven wasn’t just history’s greatest composer but also one of its greatest human beings
His drunkenness and deafness all fed into his audacious acts of musical risk-taking
issue 11 January 2020
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