Lucky bastard. Such are the words that come constantly to mind while you’re reading Clancy Sigal’s two volumes of posthumously published autobiography. Blacklisted as a (self-confessedly lousy) actor for refusing to name names in the McCarthy era, working as the agent for the likes of Peter Lorre, Rod Steiger and — sigh — Barbara Stanwyck in 1950s Hollywood and freelancing on Fleet Street in countercultural London (including reviewing films for The Spectator), Sigal was at the centre of every piece of action going. Should Black Sunset and The London Lover ever be gathered into a single volume (perhaps taking Sigal’s earlier memoir, Going Away, along for the ride), ‘Been there, done that’ would make a good catch-all title.
Sigal had already lived more than most of us by the time he fetched up in Hollywood. Born in Chicago — or Brooklyn, family accounts differed — in 1926 to two unmarried trades union agitators, Sigal was only a teenager when he joined the Communist Party.
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