Geoff Dyer

Beat echoes

His ambition, his hunger, what was lost when they were sated – it’s all there in a single frame

issue 23 July 2016

Laid out flat, running the length of the exhibition, the original scroll of Jack Kerouac’s On the Road forms the spine of the large Beat Generation show at the Pompidou Centre in Paris. Even for those familiar with the published version of the manuscript seeing this holy relic — the founding document for all sects of Beat worshippers — is a powerful experience. For about a minute. It’s everything else — the movies, the posters, the paraphernalia — that takes the time and generates an exhibition on such a tremendous scale. But how could it not sprawl? You start with the writers — Kerouac, Allen Ginsberg and William Burroughs — and before you know it there’s jazz, Neal Cassady, the Merry Pranksters, acid, you name it.

And there are, of course, a lot of photographs. No literary movement or group generated as many impressive photographs. Burroughs and Ginsberg took a bunch of photographs of themselves and their friends.

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