Kate Chisholm

Beastly behaviour

If the production team of The Archers ever needs a scriptwriter at short notice, they need look no further than Miranda France.

issue 23 April 2011

If the production team of The Archers ever needs a scriptwriter at short notice, they need look no further than Miranda France. For her latest book, she’s gone back to her roots as the daughter of a farming family and created a novel that’s a cross between an omnibus edition of the radio soap and the gimlet-eyed prose of Stella Gibbons. Hill Farm is set in a nameless village somewhere on the borders of Sussex and Kent. Hayes loves the land, but not farming. His wife Isabel loves the idea of the country but not the reality of the falling-down farm to which she is shackled by duty rather than affection. Their three children are in turn mystified by the behaviour of the grown-ups and transfigured by the natural world they have the luxury of observing for hours on end, watching the colony of newts regenerating their lost limbs in the tank at the bottom of the field, or setting up camp in the barn and spying on the antics of the owl that lives in the rafters.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in