What would pop music sound like if the ‘hits’ were defined by a panel of BBC bureaucrats? We will find out at 7.30pm this evening, when the corporation announces who it has chosen to represent Britain in the world’s most-watched cultural event. The chosen one will be guaranteed a place in the final, because the BBC pays so much money to Eurovision. As one of the nine million who Brits watch Eurovision each year, I hope it’s a winner. But already, there are signs that the BBC cultural commissars are getting this wrong.
The executive producer of BBC Eurovision, Guy Freeman, has explained his logic in words reminiscent of the old Soviet rival version of the contest, InterVision. Most counties, he admits, have contests – and allow real people to vote.
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