Bad Jews has completed its long trek from a smallish out-of-town venue to a full-scale West End berth. Billed as a ‘hilarious’ family comedy it opens on a low-key note in a New York apartment where three cousins have gathered for grandpa’s funeral. Daphna is a puritanical vegan Jewess, training as a rabbi, who wants to move to Israel, marry a soldier and serve in the IDF. She’s insanely jealous of Jonah and Shlomo, whose parents have bought them a flat before either has found a job. Shlomo (who calls himself Liam) is a ‘bad Jew’ obsessed with Japanese culture who intends to marry out. He shows up at midnight having missed the funeral because he was in Aspen, ski-ing (a conspicuously unJewish activity), with his blonde girlfriend Melody who has lovely curves, German grandparents and virtually no brainpower. Daphna instantly launches an all-out assault, disguised as friendly curiosity, and accuses Melody of carrying the genes of murdering Teutons who slew native Americans in untold numbers.
Lloyd Evans
Bad Jews at the Arts Theatre reviewed: strange, raw, obsessive and brilliant
Plus: a static new play, Breakfast of Eels at the Print Room, by a playwright that many are hailing as theatre’s brightest hope - even though he’s 62 and not very good
issue 04 April 2015
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