Sean Thomas

Avant garde is boring

The return of salon art

  • From Spectator Life

Of all the places to witness the circus parade of modern French history, you can do a lot worse than the tiny town of Espalion, in the beautiful department of L’Aveyron, in the south of France. Because there are few destinations more unchanged than L’Aveyron, and this extremely French place is where I saw the opening of the French Olympic Games, in an al fresco brasserie. And this is where I sensed a weird unease. No one booed, no one catcalled, no one mocked. They sat there, sipping cold bière, and at times they vehemently cheered and laughed. Yet they also appeared a touch confused, and, I suspect, this is because they thought – like the rest of the world – ‘this is quite often a load of bollocks’. Not least because of that bizarre mockery of Da Vinci’s famous fresco of the last supper, probably the most revered Christian painting in history.

If scrawling buzzwords on doodles is art, my shopping list with ‘LATE CAPITALISM’ angrily written across it should be in the Louvre

Whether the residents of Espalion were right or not, I concur with their sceptical views, and for very French reasons.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in