Malcolm Lowry liked to quote the Spanish philosopher, Ortega y Gasset, who saw Man’s life as a sort of novel, made up as you go along. Certainly there are times when life aspires to the condition of fiction. The story of Peter Mandelson, George Osborne, Nat Rothschild and the Russian oligarch might have been written by several novelists. Somerset Maugham, for instance, would have told it straight, dead-pan, through his favourite disillusioned, mildly cynical, narrator — old Mr Maugham himself, scarcely disguised — and would have presented it as an example of human folly. His focus would have been on Osborne, depicted as a callow young man of dangerous sincerity.
However, as the story unfolded in the newspapers — Osborne’s account of the conversation with Mandelson in the Greek taverna, Rothschild’s letter to the Times, the revelations of Mandelson’s previous dealings with the oligarch — it seemed as if we were reading an episode from Simon Raven’s Alms for Oblivion series.
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