Brian Hancill

Audience with the King

The technical achievement was remarkable, synchronising the Royal Philharmonic Concert Orchestra with a patchwork of recorded vocals. It was emotional too

issue 03 December 2016

Elvis Aron Presley departed this world on 16 August, 1977. Even if you delight in conspiracy theories and believe the film Elvis Found Alive was a documentary, he is currently unavailable for personal appearances. So his presence at the O2 Arena and five other UK cities in November was confined to giant screens. Actually present on the stage beneath was the Royal Philharmonic Concert Orchestra under conductor Robin Smith plus a rhythm section and three backing singers.

It’s not the first time something like this has been done — former members of Presley’s band took a similar show around the world and it worked surprisingly well. A friend suggested that the symphonic version would be like ‘a whole orchestra turning up to do karaoke’ and I must confess I had my own doubts, too.

I needn’t have worried. In big arenas you tend to watch the screens anyway, so before too long Elvis at the O2 felt like any other large-scale concert except for the lack of a faraway figure singing under the spotlight.

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