The cellars at Combe Florey, the house in Somerset in which I grew up, were a place of mystery and fear. You walked down wide, shallow stone steps to a large door on which my father had stuck a postcard which read ‘I know who you are’ when, in a fit of paranoia, he decided that a neighbour was stealing his wine. Once through the door, there were more steps down until you found yourself in a large, cool, faintly musty-smelling room. Bats, furious at the disturbance, swooped around you until they sulkily returned to their lair in some dark corner. Off each wall were more cellars: in one, a large red boiler rumbled and groaned, a ridiculously grand chandelier hung, totally out of place, and a portrait of Queen Charlotte leered out at you. The others, with curved ceilings and small iron-barred windows which looked out at ground level, held the stacks of wine, all carefully sorted by grape, year, etc.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in