Peter Phillips

Arts administration: Questions of privilege

The rights and wrongs of internships for those who are seeking a first job have been hotly debated in the press recently, and nowhere more so than with reference to young people who hope to make a career in arts and music administration.

issue 18 December 2010

The rights and wrongs of internships for those who are seeking a first job have been hotly debated in the press recently, and nowhere more so than with reference to young people who hope to make a career in arts and music administration. But the principles remain the same whatever the discipline: is it legal for an organisation to employ people who are usually given a stipulated job when they become an intern, and not to pay them; and is it acceptable that these opportunities tend to go to young people who are already rich enough (through parental support or earnings from a gap year many cannot afford to take in the first place) to underwrite the costs of living while earning nothing?

The argument in favour runs along these lines: there are so many applicants for jobs these days that it has become necessary for employers, in order to make a decision, to have more evidence of how suitable the candidate is for the position on offer.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in