Artistic Munchausen’s

Ella Hickson’s last play at the Almeida was a sketch show about oil. Her new effort uses the same episodic format ornamented with ‘meta-textual experimentation’ (i.e. plotless confusion).

The central character is a brilliant young female writer who finds that all male theatre directors are boorish cynical greedy philistine racist sex pests. In Sketch One she meets a smarmy monster twice her age who tries to seduce her with the offer of a script commission. Sketch Two is a commentary on Sketch One, which turns out to have been a play within a play. Sketch Three shows the writer cohabiting with a loser who ‘sells football boots’. The loser has just bought a new sofa (with her money) and he baptises it with an enforced bout of loveless copulation. She tells him that she’s rejected a big movie contract and he attacks her laptop with orange ratatouille, squashing boiled tomatoes into the keyboard.