One of the great treats of the exhibiting year will undoubtedly be Henri Matisse: The Cut-Outs (17 April to 7 September) at Tate Modern. The last phase of Matisse’s productive career was devoted to making extraordinarily vivid images from painted paper cut with scissors, as the physical effort of wielding a paintbrush became too much for him. Matisse’s greatest strengths were as draughtsman and colourist, and the cut-outs combine these skills in abundant measure, releasing a new sense of joyous celebration almost unmatched in the history of art. The largest ever exhibition of the cut-outs, the Tate’s show will feature 120 works, many seen together for the first time. Unmissable.
Of course the Tate, with its two London venues and branches in St Ives and Liverpool, has many other exhibitions and displays on offer in 2014, but I only have room to mention a few. I’m most looking forward to Tate Britain’s survey of the life and work of Kenneth Clark, art historian, public servant, broadcaster, writer, patron and collector (20 May to 10 August).
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