Christopher Bray

Art and aspiration

At the Stranger’s Gate combines portraits of friends with an exposé of art and ambition in America’s creative capital

issue 21 October 2017

When Adam Gopnik arrived in Manhattan in late 1980 he was an art history postgrad so poor that he and his wife-to-be were reduced to sharing a 9’ x 11’ basement with a bunch of cockroaches. But everything was going to be all right because Gopnik had his guitar with him and he ‘knew someone who’d once had dinner with the sister of a close friend of Art Garfunkel’s psychotherapist’. Having sent a tape of his songs over, he settled down to ‘write jokes for comedians. It seemed like a plan for life’.

In a way it was. Though Gopnik has yet to hear back from Garfunkel, his oratorio about Alan Turing played recently at the Barbican. And if he hasn’t actually gagged up any funny man’s act, he’s written with entrancing penetration about the likes of Steve Martin, W.C. Fields, Woody Allen and Groucho Marx in the pages of the New Yorker since 1986.

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