Georg Büchner, a justly neglected German playwright, died at the age of 23 leaving a half-finished script about a mad soldier and his cheating girlfriend. This relic has fascinated dramatists ever since because Büchner is regarded as a visionary left-wing artist cruelly stolen before his time. (Not a moment too soon, if you ask me.)
Jack Thorne is the latest to rehash the leftovers. It’s 1981 and we’re in a divided Berlin. We meet a mopey British squaddie, Woyzeck, who shares a flat with his girlfriend from Derry who has the voice of a seagull and the personality of a dishcloth. The flat pongs because it’s located over a slaughterhouse. Bad choice. Let’s move, says Woyzeck. Great, says the Bogside dishcloth. This starts the story. Woyzeck tries to borrow some money. Nothing happens. He considers selling some stolen weapons. Nothing happens. The Bogside dishcloth is asked to work for a charity.
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