Lloyd Evans Lloyd Evans

Are theatre critics on drugs? Fallen in Love and Pastoral reviewed

issue 25 May 2013

A marvellous novelty at the Tower of London. The Banqueting Suite of the New Armouries has been converted into a pop-up theatre and the Tower authorities have welcomed a new play following the rise and fall (into two pieces) of Anne Boleyn.

Joanna Carrick, who directs her own script, has chosen a tricky format. Two characters, Anne and her brother George, tell the story of Anne’s fatal marriage to Henry VIII. Even Aeschylus found this ancient format rather constricting and introduced a third character. Perhaps Carrick knows better. Anne and George are evidently attracted to each other and they romp around a four-poster bed exchanging gossip in fits of giggles. At first the characterisation is a little thin. Then it gets thinner.

George (Scott Ellis) is a bumptious, greedy posh boy, who, if he lived today, would be a Mayfair hedge funder with an Aston Martin, two mistresses and herpes.

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