I have a soft spot for specimen jars and skeletal remains. Museums of natural history, surgical pioneering or anthropological oddities have always struck me as equally suitable for lunch breaks and first dates as for serious study and research. As far as public and casually accessible encounters with mortality go, these kinds of museums are the most straightforward way of confronting the realities of human nature. But whether we should have this kind of casual access is now increasingly being questioned.
Telling history through displays of human remains presents a challenge for curators. They are responsible for contextualising exhibitions to ensure that the remains don’t become a dehumanised spectacle, while knowing they ultimately lack the ability to guarantee beyond doubt that their message will hit its target.
Last November, the Wellcome Trust decided context wasn’t enough.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in