I have a soft spot for specimen jars and skeletal remains. Museums of natural history, surgical pioneering or anthropological oddities have always struck me as equally suitable for lunch breaks and first dates as for serious study and research. As far as public and casually accessible encounters with mortality go, these kinds of museums are the most straightforward way of confronting the realities of human nature. But whether we should have this kind of casual access is now increasingly being questioned.
Telling history through displays of human remains presents a challenge for curators. They are responsible for contextualising exhibitions to ensure that the remains don’t become a dehumanised spectacle, while knowing they ultimately lack the ability to guarantee beyond doubt that their message will hit its target.
Two thousand physiological specimens are arranged in rows of pale yellow lumps of flesh, organ and bone
Last November, the Wellcome Trust decided context wasn’t enough.
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