James Delingpole James Delingpole

Apple TV+’s new series damn near cost me my marriage: Calls reviewed

Plus: I can understand why Marseille wasn’t recommissioned by Netflix after the car-crash second series

Calls is more like radio than TV, with no attractive images to look at, just random electronic squiggles and snatches of text 
issue 20 March 2021

Calls is the very antithesis of televisual soma. In fact it’s so jarring and discomfiting and horrible that I think this week’s column damn near cost me my marriage. ‘Why are we having to watch this hideous drivel?’ grumbled the Fawn, who felt cheated of a soothing night glued to our new addiction, the French series Call My Agent! (Netflix). ‘Because it’s my job and this is a new thing and Call My Agent! isn’t,’ I said.

So I had to watch on my own. I do understand the Fawn’s objections. Really, it’s more like radio than TV and might work better enlivening a long car journey. There are no attractive images to look at — no actors or scenery or anything like that — just random electronic squiggles and snatches of text, spelling out the muffled, often hard-to-decipher phone conversations being played out before you.

In episode one, a man in LA is talking to his ex-girlfriend in New York when a mysterious creature (not human, she thinks) looms outside her window and, by the time the cops get to her, has all but torn her to shreds.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in