Igor Toronyi-Lalic

Apocalypse now | 29 December 2016

Plus: the apocalypse was in the air at the Huddersfield Contemporary Music Festival and the best contemporary classical finds of 2016

issue 31 December 2016

Gerald Barry loved playing organ for Protestants as they allowed him a lie in. Then they found out he wasn’t Protestant and sacked him. When he moved to a Catholic church, he was forced up at the crack of dawn, so he punished the congregation by not giving them the chance to breathe between verses.

He has a similarly cruel approach to the singers in his latest opera Alice’s Adventures Under Ground, whose voices he puts through the wringer, compelling them to squawk or chunter — or recite the ‘Jabberwocky’ in German. Barry has to be one of the most enjoyably contrary composers alive, but he is also, I fear, a sociopath, and I’m not sure the two things are entirely unrelated.

It was almost painful to watch/listen to the great Barbara Hannigan as Alice, yelping her way through Wonderland. But then in this world of unbirthdays, it perhaps made perfect sense that the singers were being forced to unsing.

Lewis Carroll’s text is unforgiving.

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