The rude fingers of Battersea are repointed, and barely rude at all. The power station by Giles Gilbert Scott and J. Theo Halliday is no longer a wasteland to contemplate as you sit on the Waterloo to Shepperton night train. It has become a small town with shopping centre, restaurants and a pier on the river, so a middle-aged woman can get on an Uber Boat by Thames Clippers and pretend to be Cardinal Wolsey without others knowing it.

I have only ever known it as a ruin and so approaching it from its Underground stop feels subversive, but then all subversion ends. It is glossy, tinny: a dinosaur skeleton painted in glitter with glass apartments stacked on the head and satellite glass apartments all around for fellowship. I suppose it was inevitable: the greatest redevelopment opportunity in central-ish London in a generation and they have, typically, replicated Chelsea Harbour and added another Westfield, since two weren’t bad enough.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in