Philip Hensher

Another haphazard Booker shortlist lacks literary competence

This year’s judges seem to favour serious world issues over observation, dialogue or any real interest in characterisation

issue 16 October 2021

The Booker used to be more enthusiastic about the historical novel than it now is. Maggie Shipstead’s Great Circle (Doubleday, £16.99) is about an imagined woman pilot who makes her way in the first years of aviation and is thought to have died in a daring feat of navigation from Pole to Pole in 1950. It’s an enjoy-able example of a genre that was popular in the 1990s: the historical novel interspersed with a present-day story — this one about a film star who has made a PR mess, loses her role in a series of teen movies and tries for redemption through a film about the aviator.

The best of those novels tended to show events of the past reaching out and shaping present lives. Great Circle is crisply written, with a gift for the striking phrase and an ability to depict characters memorably. Shipstead’s take on the form, how-ever, does tend to reverse things and stress how current concerns such as LGBT, global warming and vegetarianism were also prominent in the past. As a result, it lacks the momentum of discovery of consequences, and the present-day strand, which begins promisingly, runs out of steam. Still, it’s a professional piece of work.

Patricia Lockwood’s No One is Talking About This (Bloomsbury Circus, £14.99) concerns the interaction of virtual engagement and real life. In the first half, a person much like Lockwood, famous for a single utterance on Twitter, makes various short, irreverent observations in the style of Twitter while on a publicity tour. In the second half, her sister has a baby, who dies — something which the characters’ usual affectless ironic mode of behaviour proves inadequate for. I quite liked some of it, but it only works if you’re convinced that all this happened in real life without adornment, which is not much of a claim for aesthetic worth.

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