James Walton

Another drama about how women are great and men are rubbish: C4’s Philharmonia reviewed

Plus: remarkable stories of foundlings searching for their origins, and finding them

This is a woman who should certainly be watched — in more ways than one: Marie-Sophie Ferdane as Hélène Barizet in Channel 4's Philharmonia 
issue 06 June 2020

On the face of it, a French-language drama about a Parisian symphony orchestra mightn’t sound like the most action-packed of TV watches. In fact, though, Philharmonia (Sundays) is pretty much Dallas with violins.

The first episode began with the eponymous orchestra blasting out a spot of what Shazam assured me was Dvorak, before its elderly conductor dropped his baton and collapsed to the floor, never to rise again. Cue a pair of Gallically elegant female lower legs making their way through the airport as one Hélène Barizet arrived from New York to take over the role.

David was left in a tartan bag in Belfast; Helen was discovered in a tartan bag in a Dundalk phone box

Not that her appointment was universally welcomed. Several middle-aged male musicians shook their heads and made the kind of impeccably sexist remarks more usually associated with old-school British coppers of the 1970s. The orchestra’s director, Léopold Saint-Just, told colleagues that Hélène had been foisted on him by the culture ministry as a feminist gimmick, and gave it a week before the pressure got to her and she realised that conducting isn’t for girls.

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