How can you recover the teenage girl you were? Not just recall the memories and recount the events — this dress worn at that party, the taste of that alcohol on this boy’s mouth — but restore the world in which these things took place, and the self who acted and was acted upon. Is it possible to be your own Orpheus and yank the Eurydice of your former self from the underworld of forgetting? This is the problem that Annie Ernaux sets herself in this slim, transfixing memoir of young adulthood and first sexual experience.
It’s 2014 and Ernaux is looking at a picture. The picture was taken in 1958 and the girl in it is 17. The girl is Ernaux, and also she isn’t. For Ernaux to be the girl in the picture, she would (among other things) have to be able to ‘dream of going to a real party – a sur pat – at last!’, ‘support the continuation of French Algeria’, ‘feel my mother’s grey eyes follow me everywhere’, ‘not yet have read Beauvoir, Proust or Virginia Woolf’.
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