We meet in the late afternoon at a jazzy little bistro near the Old Vic. I hadn’t quite prepared myself for the sheer visual impact of Anna Chancellor. Imposingly tall and wearing a simple glamorous frock, she rises to greet me. The dispositions of her face — the dimpled chin, the high cheekbones and the smoky blue eyes — combine in an extraordinary synthesis of softness, elegance and power. It’s like looking at a beautifully designed weapon. She’s playing Amanda alongside Toby Stephens, as Elyot, in Jonathan Kent’s production of Private Lives at the Gielgud. The show originated in Chichester last autumn. ‘I’m thrilled it’s going into town. But I wouldn’t have been’ — and she plunges a made-up dagger into her throat — ‘if we hadn’t. I’d have felt very lucky to have had a go anyway.’
How do you keep it fresh? Play jokes on each other?
‘I don’t think we will, no,’ she says, evidently having considered it.
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