Our colleagues at the magazine have kindly allowed us to republish the books of the year columns. Here’s the first installment.
Anita Brooker
Society is composed of two classes: the patrons and the patronised, and a change of status, the migration of the one to the other, is a subject well worth studying. Michel Houellebecq, misanthropist, Islamophobe, and rank outsider, performed this feat by winning the Prix Goncourt, France’s most prestigious literary award. Houellebecq is famous for his preoccupations, which are largely rancorous, yet his novel La carte et le territoire is mild, strangely addictive, but not without its subversive elements: Houellebecq himself features in it, ultimately as a headless corpse. Much of this is beyond parody. It is as if the author of Plateforme, by being favoured by the literary establishment, has reached new depths of anomie, yet there is a serious writer in there somewhere who has yet to do himself justice.
Far more engaging is Patrick Modiano’s L’Horizon.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in