Matthew Walther

Angel, by Elizabeth Taylor – review

It's time to celebrate this elegant writer of a dozen novels, among them Angel, in which she fictionalised her own fears about being a young female author

Elizabeth Taylor (left) chats with Pamela Hansford Johnson, 1954 Photo: Getty 
issue 30 November 2013

‘She wrote fiction?’ Even today, with the admirable ladies at Virago nearly finished reissuing her dozen novels, Elizabeth Taylor remains mostly unknown except to fellow novelists, literary journalists, worthier publishing types, and a handful of dedicated readers. Even Nicola Beauman felt obliged to call her wonderful 2009 biography The Other Elizabeth Taylor so as to avoid confusion with the overrated actress whose debut film, National Velvet, was released only a few months prior to the publication of Taylor’s first novel.

It cannot help her reputation that she had a majority of her papers burned, produced no journalism and kept her distance from literary London, writing only to friends such as Ivy Compton-Burnett and Barbara Pym, kindred spirits of sorts. Nor does it work in her favour that, unlike Pym, Taylor was a lifelong atheist and for many years a member of the British Communist Party, which would seem to exclude her from the ranks of novelists likely to be favoured by Britain’s few remaining excellent women.

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