Declan Ryan

Andrew Motion pays tribute to his poetic mentors

In a second memoir, Motion focuses on how he became a poet, and his search for father figures, including W.H. Auden and Philip Larkin

Andrew Motion. [Aisha Butler] 
issue 20 May 2023

Andrew Motion has previously published a memoir of childhood, In the Blood (2006), but this new book focuses on his becoming a poet, his search for mentors and subsequent writing life. Motion, a country boy, has a Words-worthian bent, and talks about the pull of evocative recollections, already hardening when he entered adulthood, as ‘equivalent to the songs of the Sirens’, explicitly ‘spots of time’. He is, as one might expect, good on poetry’s general appeal – ‘ it prizes compression and distillation in a world of deliquescence’ – and perceptive on the root cause of its lure for him.

The appeal of ‘falling in love with a dead man’ was always part of Motion’s being drawn to poetry 

Those who know Motion’s writing will be aware of the formative wound of his mother’s riding accident. Poetry offered, in Motion’s reading, a means of arresting time: ‘It might preserve my mother’s life in words that survived her.’

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