I gave up writing novels in my mid-twenties, when I was halfway through my third, convinced I had not enough talent for fiction. Sometimes I wish I had persisted. There is one particular reason. The point is made neatly by W. Somerset Maugham in Cakes and Ale:
These remarks need qualification. I’m not sure that the essay can be used for such a purpose. Hazlitt, a great essayist, wrote an extended essay — short book length — to exorcise the torturing spirit of his landlady’s awful (but to him divine) daughter, Sarah, and it did not work: merely got him into fresh, public trouble. It is true that Lamb, an even better essayist, occasionally used the form to rid himself of shaming memories: for instance, not sufficiently appreciating the kindness of his humble aunt who brought him culinary titbits when he was a charity boy at the Charterhouse, and in that delicate essay ‘Poor Relations’.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in