When the poems of Philip Larkin came to the fore in the late Fifties, I admired his graceful colloquialism but was dismayed by his almost proselytising gloom; life wasn’t given much of a chance. So I decided that he was a great Comic poet — stretching the idea of Comedy to almost Renaissance widths and depths — that he was the Les Dawson of the anthologies.
Disagree with half of it, enjoy reading all of it
TRY A MONTH FREE
Our magazine articles are for subscribers only. Try a month of Britain’s best writing, absolutely free.
Already a subscriber? Log in
Comments
Join the debate, free for a month
Be part of the conversation with other Spectator readers by getting your first month free.
UNLOCK ACCESS Try a month freeAlready a subscriber? Log in