Martin Gayford

An immensely rich show – though it consists of only two paintings: Rubens at the Wallace Collection reviewed

Two masterpieces of landscape painting are reunited after more than 200 years apart

Escape to the country: ‘An Autumn Landscape with a View of Het Steen in the Early Morning’, probably 1636, by Peter Paul Rubens. Credit: © The National Gallery, london 
issue 05 June 2021

‘When pictures painted as companions are separated,’ John Constable wisely observed, ‘the purchaser of one, without being aware of it, is sometimes buying only half a picture.’ When he said those words at a lecture in Hampstead delivered on 9 June 1833, he had two great paintings by Rubens in mind: ‘A View of Het Steen in the Early Morning’ and ‘The Rainbow Landscape’.

At that date they had already been split up, the first going to the National Gallery, the second eventually to be bought by the Marquis of Hertford. Because of the will of Lady Wallace, the eventual heir of the Marquis, or rather the way it was interpreted, the two have not been reunited since — until, that is, the current, marvellous display at the Wallace Collection.

Admittedly, since it consists of only two paintings, calling this an exhibition might seem to be stretching the definition a bit.

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