Lloyd Evans Lloyd Evans

An entertaining display, clearly destined for Netflix: Patriots, at Almeida Theatre, reviewed

Plus: a belting new comedy at the Olivier Theatre

Will Keen, in a brilliantly accurate wig, puts his whispering voice and his pinched narrow face to good use as Putin: a cold, sly, wolfish, lurking presence. Photo: Marc Brenner 
issue 23 July 2022

Patriots, by Peter Morgan, is a drama documentary about recent Russian history. And though it’s a topical show it’s not entirely up to date. The central character, Boris Berezovsky (1946-2013), was a schoolboy maths wizard who went into academia and published 16 books before entering politics. His Jewish background excluded him from the leadership of Russia so he became king-maker to Boris Yeltsin. An early contact, the deputy mayor of St Petersburg, asked for Berezovsky’s help. The rising youngster seemed to be harmless, malleable, and rather needy so Berezovsky installed him as a tame prime minister. Thus Vladimir Putin’s career began.

Berezovsky owned a TV station that criticised the handling of the Kursk submarine disaster in 2000. And Putin was incensed. Warfare began and Berezovsky realised he’d blundered by creating a dictator whom he couldn’t restrain. Even a billionaire has no defences against a man who controls the police, the courts and the prisons.

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