Harry Mount

An artistic rebirth: reopening the Rijksmuseum

<em>Harry Mount</em> on the reopening of the Rijksmuseum

issue 27 April 2013

Hallelujah! The minimalist fashion for dreary acres of white walls is coming to an end. During the long decade that the Rijksmuseum has been closed — it was only supposed to be shut for three years — the taste for colourless voids has come and, please God, is going.

Jean-Michel Wilmotte, the designer behind the museum’s new interior decoration, is obsessively anti-white. It kills anything on show, he says — that’s why he’s gone for a series of hangings of blue-grey shades as the background for objects and paintings. Occasionally, the fine gauze over the windows gives the place a touch of sepulchral gloom, but that’s a minor gripe. The sombre colours work, lingering backstage, not swamping the pictures. And so does a massive new rehang, which has two main elements to it.

First, there has been a cull: now only 8,000 objects, out of a total of nearly a million in the collection, can be seen.

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