An armchair voyeur gets a glimpse into Nicky Haslam’s vast address book

Phaidon pioneered the modern art-book in 1936. The formula was: large format, fine production, exceptional plates, and essays by the superstars of German art history. After Richard Schlagmann acquired the imprint in 1990 Phaidon maintained, even enhanced, its reputation for good design, but visual style was prioritised over editorial substance and writers were marginalised. That is, more or less unwanted and, if wanted, not paid very well.

Since 2012 Phaidon has been owned by hedgie Leon Black. The interest in massive, high-concept illustrated product remains, but design and production have slipped. Or so I thought, effortfully working my through Room: Inside Contemporary Interiors, edited by Nacho Alegre and others (£49.95, Spectator Bookshop, £44.95). Ten designers and critics have been asked to nominate ten remarkable interiors from the past five years. Interesting stuff, but with iffy reproduction and chaotic design, the result is neither a visual treat nor, lacking essential maps, a useful practical guide.