Arabella Byrne

An alternative to Giffords Circus

The avant-garde vaudeville of Fool’s Delight

  • From Spectator Life
(iStock)

I’ve never been seduced by the circus. As a motif in children’s literature, particularly taken up by Enid Blyton and Disney. In fact, as an animal-loving child, I think I found it cruel; I wanted Nellie the Elephant to pack her bags and say goodbye to the circus, I longed for her to slip her iron chain. In childless adulthood, I forgot all about it. Until I moved back to Oxfordshire and Giffords Circus appeared on the horizon every summer, its posters slapped on every lamppost from Charlbury to Cheltenham. The posters might have pulled in some punters, but for a certain type of middle-class patron, Giffords needed no advertisement. Everyone knew about it. It was the day out du jour. The young, the old, the child-laden, the childless: all came in their droves.

In an age of AI, CGI effects and algorithm, it is refreshing to be confronted with the real

Its late founder, Nell Gifford, could hardly have imagined that, single-handedly, she would cannily revive the fortunes of circus in this country from vulgar fairground to gentrified Oxfordshire hangout.

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