John Phipps

An all too brisk and too narrow history of eugenics: Radio 4’s Bad Blood reviewed

Plus: a much better analysis of whether humans are as legible and as measurable as we believe them to be can be found by listening to the audiobook of The Woman in White

Francis Galton (c.1890), a Victorian eccentric who coined the term 'eugenics'. Photo: Adoc-photos / Corbis / Getty Images 
issue 10 December 2022

Like so many of history’s great catastrophes, the story begins with an eccentric Victorian Englishman. Francis Galton was a maker of maps and compiler of tables; ‘Whenever you can, count,’ was his mantra. Galton was the first man to plot a weather map and the grandfather of forensic fingerprinting. His quixotic mania for quantification would lead him to try and draw up a ‘beauty atlas’ of the United Kingdom based on his own observations. In a footnote to one of his books, he expressed the need for a new term for the ‘science’ that obsessed him most: ‘We greatly want a brief word to express the science of improving stock.’ That is, improving, by breeding (and by other means), the genetic quality of the human race. He coined a new term: ‘eugenics’.

Bad Blood is the story of eugenics, from Victorian England to the Jim Crow south and beyond. Our host is a geneticist, Adam Rutherford.

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