Lloyd Evans Lloyd Evans

Amazingly sloppy: Romeo & Juliet, at Duke of York’s Theatre, reviewed

Plus: an ugly, cluttered, indecipherable Richard III at the Globe

Francesca Amewudah-Rivers (Juliet), Tom Holland (Romeo) and the rest of the cast in Jamie Lloyd’s cheerless new Romeo & Juliet. Credit: Marc Brenner  
issue 01 June 2024

Romeo & Juliet is Shakespeare with power cuts. The lighting in Jamie Lloyd’s cheerless production keeps shutting down, perhaps deliberately. The show stars Tom Holland (also known as Spider-Man) whose home in Verona resembles a sound studio that’s just been burgled. There’s nothing in it apart from a few microphones on metal stands. He and his mates, all dressed in hoodies and black jeans, deliver their lines without feeling or energy as if recording the text for an audiobook. Some of them appear to misunderstand the verse.

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When not muttering their lines they stare accusingly into the middle distance, like catwalk models. Then a power cut strikes. This indicates a swordfight, apparently, and it goes like this. The yelping characters are busy trading insults and daring their opponents to ‘draw’ their swords (even though no one carries a weapon). Then the theatre is plunged into darkness.

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