Robert Gorelangton

All white on the night

Ethnic and gender quotas are fast becoming the norm in the performing arts - but they shouldn’t be

issue 05 September 2015

Shakespeare’s ‘Wars of the Roses’ will have no ethnic minority actors in the cast when the shows (two Henry VI plays and Richard III) open at the Rose Theatre, Kingston upon Thames, later this month. A sprinkling of so-called BME (black and minority ethnic) actors in Shakespeare has been the norm for ages now. So the decision by the director to go with an all-white cast has caused much hurt and concern from the actor’s union Equity, the Guardian, and from various groups promoting racial diversity in the arts.

From all the fuss, you’d think the plays are being directed by a hooded white supremacist. In fact they are being done by Trevor Nunn, former boss of both the Royal Shakespeare Company and the National Theatre, and not a chap you could accuse of political incorrectness. This is the man who once said that calling actors ‘luvvies’ in public was as offensive as using the n-word.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in