James Woodall

All the world’s a stage | 21 April 2016

Kings of War is the brainchild of Belgian director Ivo van Hove, who explains why Shakespeare is often much more dramatic when not done in English <span style="color: #222222; font-family: arial, sans-serif; font-size: 12.8px; line-height: normal;"> </span>

issue 23 April 2016

In this much-heralded Shakespeare anniversary year, one might expect a certain respect for the works to prevail. In Holland it’s different. Under the tutelage of a Belgian, Ivo van Hove, a huge slice of Shakespeare’s history theatre has been filleted for the stage into something that might sit nicely on HBO alongside Game of Thrones. It opens at the Barbican on 22 April, a day before the official Shakespeare-death day four centuries ago. And it’s all in contemporary Dutch verse — four hours of it…

Kings of War starts with a photo, on a video-screen, of little Prince George. His infant form is followed in rapid succession by that of every English monarch back to Henry V. There, the display halts. Just below the screen ceremonial alarums are blasted out by four trombonists. The show, and pageantry, begin. There’s no doubt what this is to be about: the story of Plantagenet royalty as told by our greatest playwright.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in