Henry Hitchings

All the men and women merely players

Henry Hitchings enjoys two new books on Shakespeare (to add to the 12,554) — and especially a description of Edmund Kean’s electrifying, drunk Hamlet in 1814

Charlotte and Susan Cushman as Romeo and Juliet c. 1849. Now comparatively obscure,Charlotte was widely considered the most powerful actress on the 19th-century stage. Getty Images. 
issue 16 May 2015

How many books are there about Shakespeare? A study published in the 1970s claimed a figure of 11,000, and today a search of the British Library catalogue yields 12,554 titles that contain the playwright’s name. But good short introductions to Shakespeare’s life and work are not exactly plentiful.
Students and teachers are therefore likely to welcome this up-to-date overview from Paul Edmondson, a Church of England priest who works for the Shakespeare Birthplace Trust.

Although Edmondson covers the biographical ground succinctly, as well as discussing the plays and poetry in a style that’s discreetly authoritative, his approach is unconventional. Thus he dwells longer on the early, flawed The Two Gentlemen of Verona than on King Lear — not because he believes it is better, but because it shows Shakespeare finding his feet as a practitioner of stagecraft, dramatic verse and fleet-footed characterisation. He also thinks, freshly, about what it’s like to read Shakespeare — whether aloud or to oneself — and in this vein offers five robustly sensible pages suggesting how best to engage with the sonnets.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in