Elisa Segrave

Alexandra’s Fuller’s parents are the stars even when their daughter is divorcing, in this sequel to the bestselling Don’t Let’s Go to the Dogs Tonight

A review of Alexandra Fuller’s Leaving Before the Rains Come celebrates a writer born to capture the tragi-comedy of her deeply eccentric family life

issue 21 February 2015

‘Double ouzo, hold the Coke,’ Mum ordered at the Mkushi Country Club bar, during spanikopita night. ‘My daughter’s a lesbian.’ The Greek farmers blinked at her uncomprehendingly. ‘Oh, don’t pretend you don’t know what I’m talking about. You bloody people invented it.’

Alexandra Fuller’s wild parents make good copy, as was clear in Don’t Let’s Go to the Dogs Tonight, her bestselling 2002 memoir about her chaotic, often tragic, childhood in Zimbabwe (then Rhodesia).

In this new book, purportedly about her divorce after a 20 year marriage to a ‘calm’ American she thought would be her protector — ‘plus, I was so in love’ — Fuller’s parents again, almost by default, take centre stage. From her new, more ordered life in Wyoming, where she and her husband Charlie Ross went after the birth of their first child, she sent her parents a case of the American insect repellent Off!, hoping to reduce ‘the incidence of familial malaria’.

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