Ian Thomson

Alasdair Gray gives us a vivid new Paradiso

His posthumously published rendering is a work of cadence and vigour which perfectly captures the rhythms and beauty of Dante’s original

Beatrice leading Dante in a 14th -century Venetian miniature of the Divine Comedy’s Paradise. Credit: Bridgeman Images 
issue 28 November 2020

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in