In a 1962 interview, Alain Delon pushes aside a carafe of red wine and explains that when offered his first cinema role, he didn’t really want it: je n’avais pas envie de faire spécialement ça. Delon, who died over the weekend at the age of 88, may not have been immediately seduced by cinema, but cinema was instantly seduced by him. In a lifetime filled with roles playing rogues and gangsters – Plein Soleil (1960), Il Gattopardo (1963) and Le Samouraï (1967) – the role he is best known for is himself, a shapeshifter who flirted with the actor’s mask; sometimes hiding behind it, sometimes letting it slip off altogether. There, in the space between authenticity and artifice, Delon found his métier, delighting in his confection as much as his audience did: ‘I fell in love with the camera,’ he says.
Born in Sceaux, outside Paris, in 1935, Delon’s early life was turbulent.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in