Niru Ratnam

Ai Weiwei’s Aylan Kurdi image is crude, thoughtless and egotistical

Last September a photograph of three-year-old Aylan Kurdi’s lifeless body washed up on a beach near Bodrum made headlines around the world. The image had a significant effect on shifting public perception to the Syrian refugee crisis as well as sparking a debate around the ethics of the circulation of such images. Academics at the University of Sheffield have estimated that 53,000 tweets were sent per hour at the height of the image’s circulation reaching 20 million people around the world in 12 hours. Last week, over four months after the image appeared, the Chinese artist Ai Weiwei made his own contribution to the debate in a photograph which depicts the artist posing as Kurdi. The artist, looking a good deal heavier than the toddler, lies prone on the beach in a restful pose. The image was unveiled last week at the India Art Fair in Delhi in a mini-exhibition of self-portraits.

Ai Weiwei is a divisive figure.

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