Niru Ratnam

Ai Weiwei

His attitude to the Chinese authorities may be admirable — but his work isn’t up to much

issue 22 August 2015

In September, the Royal Academy of Arts will present a solo exhibition of works by the Chinese artist Ai Weiwei. This follows his installation of porcelain sunflower seeds in Tate Modern’s Turbine Hall, a solo show at Blenheim Palace and two solo exhibitions at the Lisson Gallery (which represents him). Peculiarly, the Royal Academy’s press release claims that Ai’s work has not been seen extensively in Britain, which might suggest that its press team doesn’t get out much. He has certainly been exhibited here more than other key Chinese contemporary artists such as Zeng Fanzhi, Yang Fudong or Gu Wenda.

Ai transcends the art world, particularly since his arrest by the Chinese authorities in April 2011 when he was held without charge for 81 days. His detention sparked petitions, protests, a Free Ai Weiwei website and an Anish Kapoor-led lip-syncing video of the South Korean pop hit ‘Gangnam Style’ featuring prominent art-world figures.

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