Roderick Conway-Morris

Adventures of the gods

issue 21 January 2006

The Christian Church sought to banish the ancient gods, but their fascination proved too strong. Their reappearance in their many manifestations during the Renaissance transformed Western visual culture, reviving, nourishing and sustaining the nude and the erotic as legitimate subjects of art.

How the antique gods and demigods descended to earth again, enlivening panels, canvases, furniture, cameos, jewels, medals, ceramics, prints, and as sculptures, is now unfolded in a thought-provoking exhibition of more than 200 pieces at Palazzo Pitti.

The seeds of the revival of ancient mythology were sown in the Middle Ages. Pagan authors were still read as part of the study of Latin, including Ovid, whose Metamorphoses comprised the most extensive single compendium of the lives and loves of the gods. Mediaeval writers and encyclopaedists tended to treat the old gods and heroes as historical figures, and it became fashionable for cities and leading families to trace their genealogies back to these mythical ancestors.

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