Lloyd Evans Lloyd Evans

Absorbing and beautifully designed: Jane Eyre reviewed

Plus: a dire warning from the future by Natalie Margolin

Ben Warwick as the romantic enigma, Mr Rochester, and Kelsey Short as Jane Eyre in Blackeyed Theatre's production 
issue 05 December 2020

Blackeyed Theatre is another victim of the virus. Its production of Jane Eyre was midway through a UK tour, and due to visit China for a month, when the pandemic shot its plans to bits. Last month the show was revived on stage and committed to film. Kelsey Short (Jane) leads a team of just five actors who tell the story as Charlotte Brontë wrote it.

The costumes, hairstyles and habits of speech seem authentically Victorian. The director, Adrian McDougall, has rejected the fashionable habit of presenting Jane as a rad-fem freedom fighter surrounded by grotesque male oppressors. His version reminds us how sympathetic the novel is towards men. Mr Rochester (Ben Warwick) is a romantic enigma, a dashing, grizzled buccaneer who is also decent, honourable and kind-hearted. Socially he’s a rebel. He exposes the hypocrisy of the marriage market by favouring Jane, a penniless governess, over the wealthy beauties competing for his hand.

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