Ruth Scurr

A year full of birds

The power of words to bestow life after death, and the importance of choosing what is living, are at the heart of her exquisite prose

issue 28 April 2018

Deborah Levy draws her epigraph for The Cost of Living from Marguerite Duras’s Practicalities: ‘You’re always more unreal to yourself than other people are.’ Practicalities (1987) is a series of interviews Duras gave to a young friend with all the questions left out and the interview format effaced. Levy’s book is, similarly, one side of an intense conversation about life, love, power, home-making and writing. Her interlocutors, many of them dead but still living through their words and work, include Simone de Beauvoir, Louise Bourgeois, Emily Dickinson, Barbara Hepworth and Elena Ferrante.

Levy is a playwright and novelist whose Swimming Home (2012) and Hot Milk (2016) were shortlisted for the Man Booker Prize. The Cost of Living is subtitled ‘A Living Autobiography’ and follows Things I Don’t Want to Know: A Response to George Orwell’s 1946 Essay ‘Why I Write’ (2013). The book covers a turbulent time in Levy’s life when she got divorced and her mother died in the same year.

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