Lloyd Evans Lloyd Evans

A well-meaning but dull Official History: Olivier’s Normal Heart reviewed

Plus: does anyone need a musical based on Back to the Future? No – but it delivers a hell of a kick anyway

The three-hour length is hard to justify: Ben Daniels and Dino Fetscher in The Normal Heart at the Olivier Theatre. Image: Helen Maybanks 
issue 09 October 2021

The Normal Heart is not about Aids. Larry Kramer’s play is set in New York in 1981 at a time when clinicians were struggling to find a link between a handful of rare diseases that struck only gay men and heroin addicts. The term ‘Aids’ wasn’t adopted until late in 1982. And this dampens the wheels of Dominic Cooke’s production. A playgoer is likely to stifle a yawn as the characters on stage try to discover medical facts that have been common knowledge for decades.

There are other problems with Kramer’s ageing script. The story follows an indignant activist, Ned, who has to persuade the city authorities to take the plague seriously. He embarks on a laborious campaign whose numerous battlegrounds the script exhaustively covers. The dialogue is often bloated and flaccid. Too many scenes involve garrulous characters striding around and rabbiting about the latest plot developments. When Kramer wants to change the direction of a scene he throws in a sudden interjection.

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