A weakness for beauty

James Stourton is not only a successful auctioneer and chairman of Sotheby’s but also an accomplished writer, the author of the delightful Art Collectors of Our Time (2007). He has now produced a book about how the English, and subsequently the British, set about acquiring and presenting works of art. He has been helped by Charles Sebag-Montefiore, another successful businessman, who has assembled a magnificent art library on which the research for this volume has been based. It is a hefty tome which has the merit of showing, in most cases, what these private collections looked like in their original shape before their dispersal among public national or American collections.

This is as it should be, for architecture is the basis of all English collecting. English aristocrats and plutocrats built magnificent houses either for their own sake or to display their works of art, and sometimes they deliberately formed collections to fill their houses.